Mott's third album recorded in 1969 and released by Island in 1971 and featured a predominance of Mick Ralphs' songs and a couple of killer Ian Hunter ballads.The set contained the classic "Original Mixed Up Kid," and the group moved towards some interesting progresssive territory, like the string-drenched "Waterlow," the country-tinged "It Must Be Love," and the faithful reading of Melanie's "Lay Down." This set has been re-mastered and conatins 2 bonus tracks one being a cover of Mountain's "Long Red".
Debut album from 1969 which instantly gave them their first anthem with the pile-driving 'Rock and Roll Queen'. The album is wildly imaginative and invigorating, and that's enough to make this a fine debut with choice covers such as 'You Really Got Me' and 'Laugh At Me' (Sonny Bono).These touches revealed a band whose rowdy power was matched by humor, clever twists, and above all intelligence, all of these qualities stayed with them and the rest is history. This Guy Stevens (Art) produced album really has stood the test of time.
The band's second album 'Mad Shadows' (1970) saw the Hoople in a more sombre mood. Cutting out most of their humor and ratcheting up the volume, the group turns out seven songs that alternate between thundering rockers and heavy prog. This album is a thrilling journey into the darkside, simply because the band and producer Guy Stevens (Art) take you on a mad journey through fine moments like the rampaging "Walkin' With a Mountain" and the closing ballad "When My Mind's Gone." Any record with songs as strong as these is worth hearing, but only if you are mad enough to delve into this dark & unsettling work. This remastered re-issue contains 2 bonus tracks and a comprehensive 20 page booklet.
Fascinating double disc set covering the far-reaching branches of the Mott family tree, from obvious connections like Hunter-Ronson and Bad Company to The Rats, The Doc Thomas Group, Silence, Les Norman & The Buddies (pre-Mott beat combos featuring Ralphs, Watts and Griffin) British Lions, the Ariel Bender and Verden Allen bands, and John Fiddler- although sadly no London or Steve Hyams. It's incredible to see how far Mott's influence has spread over the last thirty years- now one can see what made it possible. Also featured is Ralpher's original demo of 'Can't Get Enough' the song that caused him to leave and form Bad Company, several live renditions of Mott tunes hitherto unreleased (including the never-before- heard 'Can You Sing The Song That I Sing' and 'Chosen Road') and an informative 28 page booklet by Mott fanzine editor Keith Smith (not the jazz trumpeter/actor) and an introduction from Buff himself. It's a mighty long way down rock and roll. . .
1971 release from the boys which opens with the ferocious ‘Death May Be Your Santa Claus', its title pichedf from the song of the same titler by Second Hand. which really sets you up for one of Mott's heavier outings. The most amazing thing about the album is that none of the songs really change character. It's all straightforward hard rock, and one track, 'The Moon Upstairs' is oft cited as a blueprint for punk.. There is also an amazing cover of the Youngbloods' 'Darkness Darkness'.This remastered version contains 2 bonus tracks and expanded booklet.
Exact repro vinyl version of the 1972 album that broke all barriers open for the band after an image makeover, Bowie gave them a surefire hit with "All the Young Dudes," had them cover his idol's "Sweet Jane," and produced the album that made them the international stars they deserved to be. This album is as much a testament to Bowie's popularity as it is to his studio skill.
Excellent collection of live favourites from one of the UK's premier rock'n'roll bands who made their name during the glam era of the early 70's. Tracks are drawn from the period between 1971 and 1974 and includes steller versions of "All the Young Dudes","Original Mixed Up Kid","Golden Age of Rock 'n' Roll,"Sucker" and 8 more. All of these are accompanied by a highly informative 16 page booklet.
A full on performance from the bands first U.S tour, recorded in July 1970 and remastered under the supervision of Dale Griffen. Thirteen track album comes with four tracks from The Hoople's second U.S tour in June '71 and a bonus studio recorded track "Wreck Of The Liberty Belle" from 1969, supplied by Dale Griffen and unreleased until now. Coming from Overend Watt's personal collection, these gigs are a fascinating insight into the bands early days as an excillarating and vibrant live act, a non-plussed reaction from any crowd member was not tollerated. This album captures the beginning of a long and riotus carrer in Rock and Roll, absolutely esential for any true fan.
90-minute documentary film charting the career and music of one of Rock music’s most influential yet all too often neglected bands. Always a highly respected group, this DVD features insight and critique from Clash guitarist and massive fan Mick Jones, Hoople producers/engineers Tony Platt and Mick Glossop, a selection of journalists from the period and even the bands keyboardist Morgan Fischer. Also found here is obscure footage, live and studio versions of Hoople hits, rare interviews, obscure photographs and never previously seen tour film from Fischer's private collection. His involvement in the project makes this DVD extra special for all fans of the band, there is more exclusive achive footage included as an extra.
The gig at Fairfield Halls, Croydon, England13th September 1970 was the fist ever attempt to capture Mott’s feral stage act on tape. Despite the positive outcome, these tapes ended up in Overend Watts' personal archive for over three decades and quickly moved into Hoople mythology. Recorded on The Who’s then state of the art portable eight track machine, the band blew the headline act Free off the stage and show the band engaging with the crowd, cajoling them and challenging them until they gave some sort of reaction. The seven track performance has been boosted with five songs from a gig on 16th February 1971 at The Konserthuset, Stockholm, Sweden. A definite for all Hoople fans.
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