Re-issue of rare 1970 release (originally on Polydor) with it's bizarre sleeve from this UK progressive outfit. Heavy fuzz guitars,rolling keyboards,strange lyrics,lots of horn arrangements (similar to Locomotive) over long tracks (shortest being 5 minutes) make this a very interesting and unique listen.The band broke up after this, their 3rd album and became Samurai.
180 gram gatefold vinyl re-issue of rare 1970 release (originally on Polydor) with it's bizarre sleeve from this UK progressive outfit. Heavy fuzz guitars,rolling keyboards,strange lyrics,lots of horn arrangements (similar to Locomotive) over long tracks (shortest being 5 minutes) make this a very interesting and unique listen.The band broke up after this, their 3rd album and became Samurai.
180 gram thick card sleeve version ofthis album by UK psyche prog outfit the Web.It all started back in 1967 when the musicians Lennie Wright, Kenny Beveridge, Tom Harris, Tony Edwards and John Eaton moved to London and started a band they gave a rather hopeless name: John L. Watson and The Web. Watson was an American singer who had joined the band. The year after, the band wisely changed their name to just The Web, and recorded their first album called "Fully Interlocking". This is the follow-up "Theraphosa Blondi" from1969 and has some greatly listenable moments, showing a band deep into the current of "post-pop" psyche progressive rock music.
CD version ofthis album by UK psyche prog outfit the Web.It all started back in 1967 when the musicians Lennie Wright, Kenny Beveridge, Tom Harris, Tony Edwards and John Eaton moved to London and started a band they gave a rather hopeless name: John L. Watson and The Web. Watson was an American singer who had joined the band. The year after, the band wisely changed their name to just The Web, and recorded their first album called "Fully Interlocking". This is the follow-up "Theraphosa Blondi" from1969 and has some greatly listenable moments, showing a band deep into the current of "post-pop" psyche progressive rock music.
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